Premiere Pro v2.0 Portable

Capture, edit, and deliver online, on air, on disc, or on device

has reentered the Professional software based editing world with the new Premiere Pro 2.0; as a stand-alone program or as a tightly woven member of the Production Studio.
The programmers and engineers at have been busy since the relse of Premiere Pro 1.5 about two yrs ago. The full upgrade is packed with new ftures--many that bring Premiere Pro 2.0 into the rlm of other high-end editing programs and a few that project it beyond. We don't have room to investigate the many new changes on these pages, but we'll look at some of the major ones.

What's New?

One of the first differences experienced Premiere Pro users will notice is in the GUI (graphic user interface). The new interface wastes no desktop space and more importantly, eliminates overlapping . now calls these "panels," which are dynamically attached to ch other. Making one panel bigger, say your Timeline, makes its neighboring panels, for example the Source panel and the Program panel, shrink. This, coupled with the ability to pull panels from one frame and group them in another frame gives editors strong control of their workflow.

The most surprising, dare we say revolutionary, new addition to this upgrade is called Clip Notes. If you need to share footage with other editors and/or clients, Clip Notes is astonishing. Imagine effortlessly embedding a clip into a PDF file for sy emailing. Now imagine the ability of the receiver to type in frame-accurate comments into this optionally -protected document and email it back to you, the editor. You now import the Clip Notes document into your sequence and your program erates markers at the appropriate time loions on your timeline. We must admit, this innovation caught us by surprise.

Bridge allows editors to browse and audio clips as well as , Illustrator and After Effects files in one central ar. Bridge not only lets one preview media such as AVI files directly in the Bridge window, but it also lets users enter a host of metadata information that makes srching for footage much sier. Organization is the name of the game on big projects so we very much welcome this functionality. Other major editing platforms take note. You can also drag media straight from Bridge into the Project window.

It's obvious that the After Effects rs and designers have been sharing notes with the Premiere programmers, as many of the Premiere effects interfaces closely resemble the After Effects GUI. From "twirly," triangle drop-down handles to BA?A©zier Handles for grter frame control; advanced effects users will surely embrace these changes. Plus, if you're using the Production Studio, the powerful Dynamic Link enables you to share various elements between AE and Premiere Pro. For example, an animation designed in AE and imported into Premiere Pro can be used without first rendering it in AE and can be changed in AE with the changes porting over to Premiere Pro automatically. This will speed up the workflow tremendously.
The Improved

We were happy to see that Premiere Pro 2.0 had grter crtion tools from within the editor than version 1.5. Now menus and submenus can be crted, animated backgrounds and looping background audio can be added, a Marker button apprs in the Layout interface for sy menu marking and the program ships with a of templates; not bad. We would still prefer to author our s in Encore , but grter control is now available in Premiere Pro 2.0.

The New Title design layout took a bit to adjust to, but once we got accustomed to the workflow, we were titling with se. Template style choices for quick and sy titles as well as more sophistied tools should plse beginner through advanced users without needing to lve Premiere for most titles.

Conforming audio has been a bit of a sore issue with Premiere users. 2.0 gives editors more, though not complete, control on what gets conformed, where the conformed and original media files live and new abilities to manage them. The conforming process was introduced to give editors more latitude with their audio files but having more say in this process is welcome..

Premiere's audio editing interface supplies most of the audio needs of a editor can be found in Premiere's audio editing interface, but for those who need deeper fine-tuning control, audio clips can be sent to Audition with a simple menu pull-down command..

Media Enr now comes with the ability to output Flash (FLV), which makes sense as recently made the hefty purchase of Macromedia. If one considers that 98% of desktops around the world currently have Flash Player installed (according to ,) the overall high quality of the compression and the ability to embed Flash directly into a Web page, then this is a grt fture.

Download Premiere Pro v2.0 Portable | 90.24 MB
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